Jondi Keane

JONDI KEANE

Associate Professor of Art & Performance, School of Communications and Creative Arts

Deakin University, Melbourne, Australia
jondi(at)deakin.edu.au

 

Jondi Keane is an arts practitioner, critical thinker and Associate Professor at Deakin University. Over more than 3 decades he has exhibited, performed and published in the USA, UK, Europe and Australia.

Research interests:

- Contemporary Arts practice (installation & performance)

- Contemporary theory

- Embodiment and enactive theories of cognition

- Experimental architecture and built environment

- Practice-led research and research design

 

Research Snapshot:

Jondi Keane’s creative research consists of three practice strands: an ‘enactive’ drawing-based studio practice (2 thhts@1nce and Chalkdrummers 2007- ); a series of iterative installation–performances (All That is Solid Melts into Movement 2018, Moveable Measures 2017, Technics & Touch 2015-6, PAN&ZOOM 2015, Tuning Fork 2009); and large-scale collaborative projects (Flows and Catchments research group such as Stone Soup 2012, Migrant Stones 2013, Ghost Muscle 2013 and Building Movements 2013; and participation [as a co-applicant] on a SSHRC grant: Immediations: Art, Media and Event (Canada 2011- 2018) which has produced numerous creative outcomes (Into the Diagram, Artspace Sydney 2011; Knots of Relation UNSW gallery 2014, The Proceeding Procedure, Glasshouse Brooklyn 2014; Improvisation Practices, Critical Path, Sydney 2014 and grant related publications including an essay in Immedaitons Anthology (forthcoming OHP 2018), Inflexions: Arakawa and Gins Special issue, No.6 2012 (ed), and Inflexions: special issue “Radical Pedagogies", No.8 2015.


The interdisciplinary nature of his research focused through the lens of Art’s contribution to Enactive theories of cognition, perception and action, and materiality — he has published in numerous high-profile journals including: Interfaces journal, Ecological Psychology, Janus Head, Studies in Material Thinking, Media/Culture, AD (Architectural Design), Artforum, Inflexions, TEXT, Global Performance Studies, Applied Mobilities, Transformations journal and Leonardo (LEA) journal. Workshops, performative presentations, enactive exercises, facilitation and discussion (procedural public conversations) form an increasing part of his research combining scholarship and social practice. This is particularly evident in the major research events, such as the co-organization of AG3:Online -- The Third International Arakawa and Gins Architecture and Philosophy Conference (Griffith University, 2010) Unruly Techniques: Linking Knowledge Practices through Art, Science and Technology (Deakin University, 2015 and will organize the second iteration of Body of Knowledge: Art and Embodied Cognition (Deakin University, July 2019) and assist with the organization of and curate the exhibition at the 4th Arakawa and Gins Philosophy and Architecture Conference at Kansai University in Osaka, Japan 2020.



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EDUCATION & EMPLOYMENT -- CREATIVE RESEARCH -- PUBLICATIONS




EDUCATIONAL HISTORY

2006 - PhD, Griffith University

1985 - M.F.A. in Painting, SUNY at Albany, Terminal Degree in Fine Arts, awarded Teaching Assistantship

1983 - M.A., SUNY at Albany, NY, Degree in Painting

1981 - B.A., Colgate University, Hamilton NY, graduated with Honours, John F. Finchen III Fine Arts Award



EMPLOYMENT HISTORY

2018 - Course director BCAs (Drama, dance, Photography and Visual Arts) – Head of Group from 2019 (3year appointment), Deakin University

2017 - Research coordinator Art & Performance group SCCA, Deakin University

2016 - Promoted to Associate Professor of Art & Performance, School of Communication and Creative Arts, Deakin University

2014 - Associate Head of School (Technology and Environments) 2-year appointment, School of Communication and Creative Arts, Deakin University

2011 - Continuing appointment - Senior Lecturer in the Image, School of Communication and Creative Arts, Deakin University, Burwood VIC

1999 - Continuing appointment - Lecturer in Cross-Arts Practice, School of Arts, Griffith University, Gold Coast – 2006 promoted to Senior Lecturer.

1998 - Sessional Lecturer, Griffith University Gold Coast

1997 - Tutor, Visual Arts Department, QUT, Kelvin Grove

1997 - Tutor, Department of Architecture, Interior and Industrial Design, QUT Gardens Point

1997 - Part-time Lecturer, Fine Arts, QCA, Brisbane

1997 - Tutor & Part-time Lecturer In Art Theory, QCA Morningside

1993-96 -Lecturer, Art Centre (Europe), La Tour-de-Peliz, Switzerland

1993-96 - Instructor, International School of Geneva, Switzerland

1987-88 - Master Teacher, NY State Summer School for the Arts

1987-88 - Part-time Art Therapist, Kirby Forensic Psychiatric Centre, Ward Island, NY

1987-88 - Adjunct Instructor of Art, Russell Sage, Junior College of Albany, NY

1985 - Instructor of Art, Hartwick College, Oneonta, NY


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CREATIVE RESEARCH OUTCOMES:
Including Solo Exhibitions, Group Exhibitions, Collaborations, Community Projects, Research Activities & Residencies


2018
Keane, J., Barry, K. & Dennis, R. (2018). All That Is Solid Melts Into Movement. Counihan Gallery, Melbourne. Feb-Mar. [Collaborative installation]

Keane, J., & Barry, K. (2018). Road Works. Yarra Ranges Council Regional Exhibition Program – Memo Gallery, Healesville, Aug-Sep.

Research Trip Tokyo and Osaka, Japan. Jan-Mar 2017:

Keane, J. (February 24 2017). Invited Lecture - 18th meeting of Institute of Oriental Studies at Kansai University titled “The Past, Present and Future of Arakawa and Gins Studies. Moderated by Professor Naohiko Mimura.

Keane, J. (March 5 2017). Guest speaker - Mitaka Lofts, Arakawa and Gins Tokyo Office Symposium organised by Kansai University (Osaka, Japan) and Arakawa + Gins Tokyo office. Professor Hideo Kawamoto (Toyo University) as guest speaker, moderated by Professor Naohiko Mimura (Kansai University).

Keane, J. (February 23, 2017). Video Interview New York Times, NY Times, re: Reversible Destiny Lofts and Arakawa + Gins. https://www.nytimes.com/video/arts/design/100000004967527/reversible-destiny-lofts-arakawa-tokyo.html?playlistId=100000004687548

Keane, J. & Ednie-Brown, P. (March 3, 2017). Interviewed for German documentary program “Galileo” on Japanese Architecture and Mitaka Lofts. Scheduled to air late 2017-2018.

2017
Keane, J. & Barry, K. (2017). Movable Measures. SEVENTH Gallery, Melbourne. Jun 1-16. [Collaborative installation]

Barry, K. & Keane, J. (2017). Measuring the Anthropocene. Red Gallery, North Fitzroy. Apr 27 - May 14. [Colalborative installation].

Keane Assisted Arakawa and Gins Tokyo office (Momoyo Homma and Matsuda Takeyoshi in the reconstruction of the AG3: Arakawa and Gins Third international Philosophy and Architecture Conference: http://www.architectural-body.com/?page_id=4035

2016
Keane, J. & Anderson C. (2015-16). Technics & Touch: Body, Matter, Machine. In: Fleur Watson and Kate Rhodes (curators). RMIT Design Hub, Melbourne. Dec 2015-Jan 2016. [Collaborative drawing project with robots] http://designhub.rmit.edu.au/docs/t+t-room-guide-stage-1-artwork-dp-v2.pdf
See the catalogue and exhibition layout documents here [opens PDF documents in a new window]

Keane, J. (2016) "Timbre" (artwork) and critical writing. In Christina Barton, Sarah Treadwell and Simon Twose (eds) Drawing Is/Not Building, Adam Art Gallery, Wellington. ISBN 978-1-877309-35-9 (forthcoming)

2015
Keane, J. & Barry, K. (2015). PAN & ZOOM. In: Mick Douglas (Director) Performing Mobilities, part of Fluid States and Performance Studies international (PSi) year-long program. RMIT galleries, Melbourne. Sep – Oct. [Co-joined performative installations]

Keane, J. & Anderson C. (2015-16). Technics and Touch: Body/Matter/Machine. Co-curated for RMIT Design Hub by Fleur Watson, Kate Rhodes, Nella Themelios, Dec 11, 2015 - Jan 30, 2016. Project Room 1 - Practitioners/performers: Charles Anderson and Jondi Keane, Real-time robotics programming and design: RMIT Architectural Robotics Lab. Project Room 2 - Curated by Charles Anderson with works by Charles Anderson, Jane Burry, Kristof Crolla, Gwyllim Jahn, Jondi Keane, Casey Reas, Tim Schork and Roland Snooks [Forthcoming]

Keane, J. & Anderson C. (2015). Toeing the Line: Artificial Touch and Expanded Cognition. In: Kate Rhodes (curator) Design and Play Exhibition. RMIT Design Hub, Melbourne. 23 Aug - 3 Oct. [Collaborative drawing project with robots]

Keane, J. (Organiser) (2015). Unruly Techniques: Linking Knowledge Practices through Art, Science and Technology. Deakin University City Centre. 13-14 Aug. [Interdisciplinary Research Symposium]

2014
Keane, J. Munster, Anna, Murphie, A., Spurr, S., Ednie-Brown, P., Jones, L. & Goodman, A. (Organisers) (2014). Knots of Relation: Immediations (Grant) group event/exhibition. COFA gallery, UNSW, Sydney. December 8-15. [Group devised processes, performances, installations, public discussions, artefacts and archiving activities.]

Keane, J. & Moorish, A. (Facilitators & Organisers) (2014). Immediations workshop & seminar on improvisation. In: M. Medlin (Director & Organiser). Improvisation Practices Symposium. Critical Path Choreographic Lab, Sydney, Nov 27 – Dec 7. [Improvised presentation and workshop]

Keane, J. (2014). Reading. In: M. del Amo & C. Mocciola (Curators). Open House: Improvisation Evening. Improvisation Practices Symposium. Critical Path Choreographic Lab, Sydney, Dec 7. [Performative improvised reading]

Keane, J. (2014) Contested Meme-ing: co-opt or co-operate. In: L. Gye & O. Vodeb (organisers) Memefest 2014 and T. Liacas (curator) "Beyond" gallery. Swinburne, Oct 2014. [Online artwork].

Keane, J., Prohm, A. & Manning, E. (Organisers & Curators). (2014). The Proceeding Procedure: Festival of In/Confluence in the Spirit of Arakawa and Gins. Glasshouse Project space, Brooklyn NY, June 4 – 7. [Festival – presentations and curated program of performances and workshops]

Keane, J. (2014). Insights from Arakawa and Gins' Table. In: J. Keane, A. Prohm & E. Manning. (Organisers & Curators). The Proceeding Procedure: Festival of In/Confluence in the Spirit of Arakawa and Gins. Glasshouse Project space, Brooklyn NY, June 4 – 7. [Performative reading]

Keane, J. (2014). Measure, Remember and Enactment. In: J. Keane, A. Prohm & E. Manning. (Organisers & Curators). The Proceeding Procedure: Festival of In/Confluence in the Spirit of Arakawa and Gins. Glasshouse Project space, Brooklyn NY, June 4 – 7. [Workshop]

Keane, J. Massumi, B., Manning E., Thain, A., Munster, A., Murphie, A., Spurr, S., Ednie-Brown, P., Jones, L. & Goodman A. (Organisers). (2014). The Minor: Towards Continuous Variation. RMIT Design Hub, UNSW College of Art and Design and Senselab, Montreal. April 24-27. [Collaborative workshop and writing sessions for special issues of Inflexions journal on "precarity".]

Keane, J. (participant) (2014). Avoca: Collaborative Making Event. In: Jones, L., Ednie-Brown, P., Manning, E, (Organisers) Avoca, VIC, November 21-26. [Site-specific performances, installations with Canadian and European partners for Immediations: Art, Media and Event (SSHRC) grant.]

2013
Keane, J. (Artist & Director) & West, P. (Creative writing workshop) (2013). Ghost Muscle: Stonewalling Teams Past and Present. Warrnambool Art Gallery, Warrnambool, February. [Participatory community artwork on dry stonewalling]

Keane, J. (Artist & Director) & Le Rosignol, K. (Creative writing workshop) (2013). Migrant Stones: Stonewalling with Ghost Muscle. Lake Bolac Eel Festival, Lake Bolac, March. [Participatory artwork and permanent installation on foreshore. ** Received Creative Partnerships Australia Award (Regional). Flows and Catchments (Deakin University) and the Lake Bolac Eel Festival]

Keane, J., West, P. & Jeremijenko, V. (2013). Souvenirs of the Senses Workshop (March 10 - 17) and Exhibition (17 March – 30 April). In: Tasmeem Doha 2013: Hybrid Making, International Design Conference. Saffron Gallery, VCU, Qatar, March – April.

Keane, J. (2013). HandDunes. In: Tasmeem Doha 2013: Hybrid Making, International Design Conference Exhibition. Saffron Gallery, VCU, Qatar, March – April. [Installation of photography, hand-moulded clay objects and 3D printing]

Keane, J. & Ednie-Brown, P. (Organisers) (2013). Building Movements. RMIT Design Hub, Melbourne, 17 June. [Workshop and collaborative making event for Immediations grant, SSHRC].

Keane, J. (2013). Conversing with Buildings: Forwarding Afford(dances). In: J. Keane & P. Ednie-Brown (Organisers) Building Movements. RMIT Design Hub, Melbourne. 17 Jun. [Directed improvised Performance]

Keane, J. (2013). Assisted Falling. In: J. Keane & Ednie-Brown, P. (Organisers). Building Movements. RMIT Design Hub, Melbourne, 17 Jun. [Directed improvisation performance in research event for Immediations SSHRC grant]

Keane, J. & Ednie-Brown, P. (2013). Time-space Twister. In: J. Keane & Ednie-Brown, P. (Organisers). Building Movements Exhibition. RMIT Design Hub, Melbourne, 26-29 Jun. [Installation]

Keane, J. & Ednie-Brown, P. (2013). The Rub. In: J. Keane & Ednie-Brown, P. (Organisers). Building Movements Exhibition. RMIT Design Hub, Melbourne, 26-29 Jul. [Installation]

Keane, J. (2013). Conversations through Colour. In: D. de Bruyn & G. D'Cruz (Program Curators). Alterations. Walker Street Gallery and Art Centre, Dandenong, Aug. [24 video works installed and presented on iPads and performative presentation]

Keane, J., Tosaki, E. & McLeod, S. (2013). "The Inward Outlook: Systems of Joint Attention". In: M. Medlin, B. Anderson & P. Gazolla (Organisers & Curators) SEAM 2013. Critical Path Choreographic lab, Sydney. November 15-18. [Performative presentation]

2012
Keane, J. (2012). Stone Soup. In: N. Fraser & U. Allender (curators) Eel Festival Group Exhibition. Lake Bolac Eel Festival Memorial Hall. 23 Mar – 25 Apr. [Drawings and installation ** Received Australian Business Arts Foundation (ABAF) Regional Award (Victoria) for "Flows & Catchments team", Deakin University's partnership with the Lake Bolac Eel Festival 2011]

Keane, J. (2012). Stone Soup Community Drawing Workshop. In: N. Fraser & U. Allender (curators) Eel Festival Group Exhibition. Lake Bolac Eel Festival Memorial Hall. 23 Mar - 25 Apr.

Keane, J., Wilmot, S., West, P., Drummond, R. & Armstrong, D. (2012). Flows & Catchments: Works-in-progress. Warrnambool Art Gallery, Warrnambool. Nov - Dec. [Group Exhibition]

Keane, J. (2012). American Beauty Recycled: The Celebrity Machine. In: S. Redmond (Organiser). Celebrity Aura: juried group exhibition. Phoenix Gallery, Deakin University, Burwood, Dec. [Video Installation]

2011
Keane, J. & Ednie-Brown, P. (Organisers) (2011). Vitality Workshop. Boyd-Baker House, 11-13 Apr. http://liveness.org/vitalitymachines/

Keane, J. (2011). Artist-in-residence. At: Arakawa and Gins (directors) Architectural Body Research Foundation, New York, 23 May – 5 Jun.

Keane, J. (2011). Artist-in-residence. At: E. Manning (director) Senselab, University of Concordia, Montreal, 5 Jun – 2 Jul.

Keane, J. (2011). The Human Bridge. In: E. Manning & B. Massumi (organisers) Generating the Impossible workshop, Senselab, Montreal. Jul 3-10. [Performance]

Keane, J. & 40 Immediations grant participants (2011). Exploding the Gallery, Senselab and University of Concordia, Montreal. 11-15 Jul. [Group exhibition and Performances]

Keane, J. & Ednie-Brown, P. (2011). Differential Equation. In: D. Burns, S. Spurr & A. Lahoud (Curators) & L. Wallen (Australia National Curator) Prague Quadrennial. Prague. 16-26 Jun. Sponsor: University of Technology, Sydney. http://website-n.com/PQ/ and http://www.pq.cz/en/ [Collaborative drawing]

Keane, J. amd Ednie-Brown, P. (2011). Differential Equation. In: D. Burns, S. Spurr & A. Lahoud (Curators). Gwangju Design Biennale. Sep – Nov. http://website-n.com/GDB/index.html [Collaborative drawing]

Keane, J. (2011) Stone Soup. In: Kawainga: Flows and Catchments. Funded by the Centre for Memory, Imagination & Invention (CMII). Phoenix Gallery, Deakin University, Burwood, 27-28 Sep. [Group Exhibition]

Keane, J. (2011) Artist-in-residence. In: J. Fail (Director) Ptarmigan Project Space. Tallinn, Estonia. 27 Nov – 9 Dec.

Keane, J., Ednie-Brown, P. & Elliot, S. A. (Organisers) (2011). Architecture and Vitality Workshop. In: J. Fail (Director) Ptarmigan Project Space, Tallinn, Estonia, 30 Nov – 4 Dec. http://ptarmigan.ee/events/workshop-in-architecture-and-vitality?locale=en [15 participants from Talliin, Estonia and Helsinki, Finland]

Keane, J., Ednie-Brown, P. & Elliot, S. A. (Curators) (2011). Architecture and Vitality Exhibition. Ptarmigan project space, Tallinn, Estonia, 5 Dec – 10 Jan.

Keane, J. (2011) Scales and Spaces. In: A. Munster (Organiser). Into the Diagram: Symposium and Workshop. Artspace, Sydney, 13-15 Dec. https://diagramworkshop.wordpress.com/what-is-gram/ [Workshop]

Keane, J. & Ednie-Brown, P. (Co-founders) (2011). Nonplus Architexture. [Collaborative creative research practice and partnership]

2010
Keane, J. amd Rosenberg, M. (Organisers). (2010). AG3-Online -The Third International Arakawa and Gins: Philosophy and Architecture Conference. CPCI, Griffith University, Gold Coast and Online, 12-26 Mar.

Keane, J. (2010). "Introduction". Video introductions for keynote speakers. In: J. Keane & M. Rosenberg (Organisers). AG3-Online -The Third International Arakawa and Gins: Philosophy and Architecture Conference. CPCI, Griffith University, Gold Coast and Online, 12-26 Mar.

Keane, J. & Rosenberg, M. (Organisers). (2010). AG3 Conference Closing Events. Barnard College (30 April), Guggenheim Museum (1 May), and a bus trip of 40 AG3 delegates to the Bioscleave House in East Hampton Long Island, NY (2 May). New York, 30 Apr – 2 May.

Keane, J. (2010) AUS Dance residency. Belltower III. In M. Hughes (director) AusDance, Judith Wright Centre for Contemporary Art, Brisbane, Apr.

2009
Keane, J. (2009). Set design for Skin Graft. Choreographic work by Vanessa Mafe in Judith Wright Centre for Contemporary Art, theatre, Aug.

Keane, J. & Cunningham, J. (2009). Tuning Fork: Drill Hall. In: M. Medlin, S. Spur, B. Anderson (organisers) SEAM: Spatial Phrases Conference, Critical Path Choreographic Lab, Sydney, 17-20 Sep. [Performative Installation]

Keane, J, Cohen H., & Barry K. (2009). Leaves, Seeds, Dust. Tokonoma Gallery, Mudgeeraba. Nov. [three solo installation projects]

2008
Keane, J. & Cunningham, J. (2008). Tuning Fork: Shopfront. Invited residency and installation-performance. Judith Wright Centre for Contemporary Art, Brisbane, 3-29 November (with 6 x four hour showings, 19, 20, 21 & 26, 27, 28 Nov).

Keane, J., Huddy, A., Mafe, V. & Lucas, B. (2008). Ants in the Deep End. In: Gale Turner (curaor) The Noosa Long Weekend Festival. Noosa, 4-9 Jul. [Collaborative street performances]

Keane, J. & Cunningham, J. (2008). Tuning Fork: Belltower. In: Aus Dance (Organisers). Dance Week. Judith Wright Centre for Contemporary Art, 8-9 May. [Installation-performance performed in Dance Week Program]

Keane, J., Gallagher, S. & Prohm, A. (2008). Reading Room: Experiments in posture, movement and comprehension. Exhibition. In: A. Levy & J. Rabaté (Directors & Curators). Slought Foundation, University of Pennsylvania, Philadelphia, USA, 7 Apr – 1 May. [Three solo installation projects]

Keane, J. (2008). Skin Graft. In: N. Weir (Director) Expressions Dance Company Core Borders season. Judith Wright Centre for Contemporary Art, Brisbane, 7-21 May. [Set design for Choreographic work by Vanessa Mafe]

Keane, J., Baghat, L. & Byrd, D. (Organisers). (2008). Bioscleave Symposium. Bioscleave House, East Hampton Long Island NY, 11-12 Apr.

2007
Keane, J. (2007). Artist-in-residence. In: Gins, M. & Arakawa (Founders). Architectural Body Research Foundation, 20 Feb – 30 Mar.

Keane, J., Rabate, J-M., Kolb,D., Rosenberg, M. & Gins, M. (Eds) (2007). The Mistake-ridden Encyclopaedia of Mistakes (Online). reversibledestiny.org

2006
Keane, J., Mafe, V., Huddy, A. & Pyle, D. (2006). Separating Shadows (stage 2). In: C. Stocks (Director & Producer). Brisbane Festival, "Accentuated Body". QUT Creative Industries Precinct, Brisbane, 15-17 Jul. Supported by Australia Council and Arts QLD. http://www.accentedbody.com/projects [Performer and Set Designer, Collaborative performance, Vanessa Mafe (Choreographer)]

Keane, J. (2006). IN & ON. In: Marles, J. (Curator) Ideas Festival Group Exhibition, Tony Gould Gallery, Brisbane, Apr - May. [Lighting Installation on painted walls]

Keane, J. (2006). PhD: The Practice of Embodied Cognition: Arakawa and Gins. Awarded July.

2005
Keane, J., Mafe, V., Huddy, A. & Pyle, D. (2005). Separating Shadows (stage 1). In: "Accentuated Body", performance of development for Brisbane Festival 2006. QUT, Brisbane, 18 Dec. http://www.accentedbody.com/projects [Performer and Set Designer, Collaborative performance, Vanessa Mafe (Choreographer)]

2004
Keane, J., Mafe, V., Gration, S. & Wright L. (2004). The Arc of the Question. QUT Gardens Point Theatre Studio, Brisbane. 1-28 Feb. [Residency resulting in a collaborative performance]

2003
Keane, J. (2003). Artist-in-residence. In: Gins, M, & Arakawa (Founders). Architectural Body Research Foundation. New York, NY, Mar – May.

2002
Keane, J. (2002). Perception Lookout. IMA, Gallery 4, Brisbane. Oct – Nov. [Solo Exhibition – Installation: constructed hanging gazebo, objects, lighting works, two site-specific videos]

Keane, J., Mafe, Stanfield, S., Lin. K-P (2002). Then the Ink Froze. In: & Stocks (Director) Here, There, Then, Now. Powerhouse, Brisbane, http://www.accentedbody.com/projects/here-there-then-now [Installation for performance supported by grant from Arts Queensland]

2001
Keane, J. Mafe, V., Seigenthaler, M. & Berthon, M. (2001). Durchblick/(Entre)voir/Land(e)scapes. Premiere at Powerhouse, Brisbane September. Toured Geneva, Zurich and Neuchatel, Dec. [Collaborative Multi-arts Performance, funded by Arts Queensland, Powerhouse and Swiss partners]

2000
Keane, J. & Mafe, V. (2000). Lines of Site. In: M. Snelling & D. Broker (Curators). IMA, Brisbane, May – Jun. [Video work]

Keane, J. (2000). Horizons and Aphorisms. IMA, Gallery 2, Brisbane. Sep. [Solo Exhibition of installation works]

Keane, J. (2000). Installation. Festival de Batie, Geneva, Switzerland, Sep. [Solo Exhibition – installation of altered objects]

Keane, J. (2000). Lines of Site. Director and collaborative video work. In: Festival de la Batie, Geneva. Sep.

Keane, J. (2000). Artist-in-residence with Arakawa and Gins in NY studios, Feb – Apr.

Keane, J. & Mafe, D. (2000). Positions of Engagement. Shop 49B, Brisbane, Apr. [painting and wall drawings]

1999
Keane, J. & Storn J. (1999). Silos in the Voice. In: Franz Erhmann (curator) Performance Art. Soapbox Gallery, Brisbane, Jan. [Collaborative performance for Group Show]

Keane, J. (1999). How to Aim. Solo Exhibition. University Art Gallery, USQ, Toowoomba. Jul - Aug.

Keane, J. (1999). Points of Readiness. Smith & Stoneley Gallery, Brisbane, Jul - Aug. [Solo Exhibition – drawings, installed objects]

Keane, J. (Curator & Exhibitor). (1999). EXIT Genres. Soapbox Gallery, Brisbane, Oct – Nov.

Keane, J., & Mafe V. (1999). Lines of Site. In: D. Burnett (Curator). ATP3. Queensland Art Gallery, Brisbane, 9 Sep, 1999 – 26 Jan, 2000. [Collaborative video work]

Keane, J. (1999). Untitled. In: F. McBride (Curator) The Drawing Room - Juried Group Show. Brisbane City Gallery, Brisbane, Jul – Sep. [Series of four drawings]

Keane, J. (1999). Untitled. In: C. Warfold (curator) Mannerism. Smith & Stoneley Gallery, Brisbane, Feb – Mar. [Installation in invited group show]

Keane, J. (1999). Oration. In: F. Erhmann (Curator) Soapbox Gallery, Brisbane, 28 May. [Invited performance]

1998
Keane J. (1998). The Ghost is Pissing. In Renae Stoneley (Curator) Spectre. Smith & Stoneley Gallery, Brisbane, Jul – Aug. [Installation: objects, lighting, wall drawing and objects]

Keane, J. (1998). Empire Building Launch. Arts QLD opening of Judith Wright Centre, Brisbane, 20 Oct. [Collaborative performance to open Brisbane landmark building]

Keane, J., Mafe, V., Petersen, M. & Eleby, D. (1998). Calcium Notebooks. In: M. Cunnington (Curator). Volt Festival. IMA, Brisbane. 10 – 18 Jul. [Director and performer]

Keane, J. (1998). Untitled. In: F. Erhmann (Curator) Writing + Voice as Sculpture. Soapbox Gallery, Brisbane, 23 Jan – 11 Feb. [Installation and artist book in curated group show]

Keane, J. (1998). Untitled. In: F. Erhmann (Curator) Pulp, Soapbox Gallery, Brisbane, 29 May – 17 Jun. [Installation in Invited Group Show]

1997
Keane, J., Mafe, D. (1997). EXIT genres. Palace Gallery, Brisbane, 7-25 Apr. [Painting and installations with performance by V. Mafe and M. Petersen]

Keane, J. & Mafe, V. (1997). Lines of Site. Received Arts QLD Grant to produced video work.

Keane, J. (1997). Untitled. In: E. Ruinard (Curator) Derma University Art Museum, UQ, St. Lucia, Jun – Jul. [Installation in curated group show]

1996
Keane, J. (1996). Auto-Curation. In: Diane Oberson (curator) Flon- Flon projet space, Lausanne, Switzerland, Mar. [Solo Exhibition of drawings and wall paintings]

Keane, J., Mafe, V. & Seigenthaler, M. (1996). Artists-in-residence at Reperages '96. Danse a Lille, Lille, France, Apr. [Co M-S-K invited to attend residency as result of Danse a Lille festival particpation]

Keane, J. (1996). Artificial Unconscious. Fortitude Gallery, Brisbane, Jul. [Solo Exhibition – installation of drawings, constructed spaces, lighting installation and altered objects]

1995
Keane, J. (1995). Writing with Emblems. In H Gallery, QUT, Brisbane, Feb. [Solo Exhibition – wall drawings, lighting installation and drawings]

Keane, J. (1995). Jondi Keane - Solo Exhibition. Gallerie Salle Patino, Geneva, Switzerland, Sep. [Wall paintings with lighting installations, drawing and paintings]

Keane, J., Mafe, V. & Seigenthaler, M. (1995). Corpus Callosum. Danse a Lille Festival, Lille, France, Oct. [Collaborative performance and premiere of Co. Mafe-Siegenthaler-Keane (Co M-S-K)]

Keane, J., Mafe, V. & Seigenthaler, M. (1995). Corpus Callosum. Salle Patino, in "New Choreographers from Geneva", Geneva, May. [Collaborative performance]

Keane, J., Mafe, V. & Seigenthaler, M. (1995). Corpus Callosum. Festival de la Cite, Lausanne, Switzerland, Jun. [Collaborative performance]

Keane, J. (1995). Mural Commission. Flon-Flon, Lausanne, Switzerland, Mar. [Permanent painting installation]

1993
Keane, J. (1993). Works-in-progress: Jondi Keane. Gallery M.I.S.S., Geneva, Switzerland, Feb. [Solo Exhibition of paintings and drawings]

Keane, J. (1993). Ce mur ensuite ruine. Ruine Gallery, Geneva, Switzerland, Oct – Nov. [Solo Exhibition – wall paintings and lighting installation]

Keane, J. (1993). Set design and costumes. In: Compagnie Noemi Lapsezon, Peril a Parler et sa taire, Noemi Lapsezon, (Choreographer). Salle Patino theatre, Geneva, Switzerland, 15-20 Sep.

Keane, J. (1993). Artist-in-residence. At Migro Foundation, Romainmotier, Switzerland, Jul. [Collaborative improvisation and performances for L'ARC, (Atelier de recherche et creation artistique)]

Keane, J. & Mafe, V. (1993). Land/Zunge. Grutli Theatre, Geneva, Switzerland, 15-19 Jun. [Collaborative performance]

Keane, J. Mafe, V., & Seigenthaler, M. (1993). A Travesty of Justice. Gallerie M.I.S.S, Geneva, Switzerland, 10-25 Sep. [Collaborative performance]

Keane, J. Mafe, V., & Seigenthaler, M. (1993). Excerpts - A Travesty of Justice. In: Crown Cable TV Channel 21, Newtown, CT, USA, 15 Apr. [Collaborative performance for video]

Keane, J. (1993). A Travesty of Justice. In: Cultural Festival Geneva. [Collaborative performance Invited and supported by Pro-Helvetia]

1992
Keane, J. (1992). Jondi Keane: Artist Books. In: M Blitz (curator) The Poetry Case Gallery, John Jay College, NYC, NY, Apr – Mar. [Solo Exhibition]

Keane, J. (1992). Artists' Books Exhibit. In: J. Hendricks (corator) Pratt Institute, Brooklyn NY, 12-25 Feb. [5 book in group show]

Keane, J. & MacNaughton, R. (1991-92). Jim and the Missing Link. Collaboration on film by R. MacNaughton, Yellow Diamond Productions, Geneva, Switzerland.

1991
Keane, J. (1991). Systems of Attention. Gallery D.O.A., St. Marks Street, NY, NY, May – Jun. [Solo Exhibition of paintings]

Keane, J., Barker, J., Mafe D. (1991). Painting Installation, Part 1. In: N. Tsoutas (Curator) Palace Gallery, Brisbane, 10-20 Apr. [Collaborative Group Show]

Keane, J., Barker, J., Mafe D. (1991). Painting Installation, Part 2. In: N. Tsoutas (Director) Institute of Modern Art, Brisbane, 2 Apr – 17 May. [Collaborative Group Show]

Keane, J. (1991). Second Thoughts. University Gallery, Russell Sage, Troy, NY. [Paintings in Group Show]

Keane, J. (1991). Love and War. Edition Art Gallery, Philadelphia, PA. [Drawings in Group Show]

1990
Keane, J. & Mulero, L. (1990). Jondi Keane, Lillian Mulero. Russell Sage Gallery, Troy NY, Jan. [Paintings in two-person show]

Keane, J. (1990). Selections 89. Juried invitation group show. Drawing Centre, Wooster St. NY, NY, Feb – Mar.

Keane, J. (1990). Jondi Keane: Recent Works. University Gallery, Elmira College, Elmira, NY, Apr. [Solo Exhibition of large paintings]

Keane, J. (1990). Electronic Sign Series. Russell Sage Gallery, Troy NY, Jan. [Solo Exhibition – test for electronic sign]

1989
Keane, J. (1989). Angels. University Gallery, Russell Sage, Troy NY. Mar – Apr. [Paintings in Invitational group show]

Keane, J. (1989). 9th International Drawing Biennale Juried group show. County Museum, Middleborough Cleveland, UK. [Drawing in exhibition touring to Northern Centre for Contemporary Art, Sutherland; House of Commons Upper Hall, London; South Hill Arts Park Centre, Bracknell; South London Art Gallery, London]

1988
Keane, J. (1988). Jondi Keane: Recent paintings. University Gallery, State University of NY at Fredonia, Aug. [Solo Exhibition of large paintings and small drawings]

1987
Keane, J. (1987). Jondi Keane: Small Works. Market Street Theatre, Centre Gallery, Albany, NY, Apr – May. [Solo Exhibition of paintings]

1986
Keane, J. (1986). Recent Figurative Painting. Hartwick University Gallery, Oneonta NY, Sep. [Paintings in Group Exhibition]

Keane, J. (1986). The Uses of Myth. Hartwick University Gallery, Oneonta NY, Mar –Apr. [Paintings in Group exhibit]

Keane, J. (1986). Mohawk-Hudson Regional Invitational Juried Group Exhibition. University Gallery SUNY at Albany. [Drawing selected for juried exhibition]

Keane, J. (1986). Jondi Keane: Solo Exhibition. Regional Gallery, Oneonta, NY.

1984
Keane, J. (1984). Rockefeller Plaza Tri-centennial Invitational Exhibition, Albany NY. [Painting selected for Juried group show]

1982
Keane, J. (1982). Solo Exhibition. Colgate Cultural Centre, Colgate University, Hamilton NY. [Paintings, drawings and printed poems]

1981
Keane, J. (1981). Akimbo. In Munson Williams-Proctor Museum Juried Exhibition. Utica, NY, May. [Drawing selected]

Keane, J. (1981). Mohawk Hudson Regional Museum Invitational Exhibition. Schenectady NY, Sep. [Painting selected]


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BOOKS

Barry, K. & Keane, J. (forthcoming, 2019). Creative Measures of the Anthropocene: Art, Mobilities and Participatory Geographies. Palgrave.

BOOK CHAPTERS

Keane, J. (forthcoming, 2018). The Practice of Immediating: Toward the Ground of Our Own Activity In: E. Manning, A. Munster, B-M. Stavning-Thomsen (Eds) Immediations Anthology. Immediations book Series, OHP.

Keane, J. & Ednie-Brown, P. (2016). Collapse: Clouds of Affective Dust. In: P. Thomas, L. Aceti & E. Colless (Eds) Transdisciplinary Imaging at the intersection of Art, Science and Culture. Conference Theme: The Cloud and Molecular Aesthetics. Leonardo Electronic Almanac, & MIT book series.

Keane, J. (2013). The Vital Context: Architecting the Body Environment with Arakawa and Gins. In: Architecture and Design Special Issue: The Innovation Imperative: Architectures of Vitality, (pp. 76-83). London: John Wiley & Sons Publishing.

Keane, J. (2012). Æffect: Initiating heuristic life. In: B. Bolt & E. Barrett (Eds) Carnal Knowledge: Towards a New Materialism through the Arts, (pp. 41-61). London: I. B. Tauris.

Keane, J. (2010). Bioscleave Report: Constructing the Perceiver. In: F. Kral & J-J. Lecercle (Eds) Architecture and Philosophy: New Perspectives on the Work of Arakawa and Madeline Gins (pp. 143-168). Amsterdam and New York: Rodopi Press.

Keane, J. (2009). Hyperconnectivity through Deleuze: Indices of Affect. In: E. Holland, D. Smith & C. Stival (Eds) Gilles Deleuze: Images and Texts, (pp. 160-75). London & New York: Continuum Press.

REFEREED JOURNAL ARTICLES

Keane, J. and Anderson, C. (2017) Human-non-human: the speculative robot. Transformation journal Social Robots: Human-machine configurations. Issue 29, 69-87. http://www.transformationsjournal.org/2017-issue-no-29-social-robots-human-machine-configurations/

Keane, J. & Ednie-Brown, P. (2017). Collapse: Clouds of Affective Dust. Leonardo Electronic Almanac 22, no. 1, Cambridge, MA: LEA / MIT Press. https://www.pubpub.org/cac/page/cloud-and-molecular-aesthetics

Keane, J. & Barry K (2017). PAN & ZOOM: reflections on Panoramic Practices. Global Performance Studies,1:1. http://gps.psi-web.org/issue-1-1/pan-zoom/

Keane, J. & Barry K (2017) Moving Within mobilities: expanding spatial experiences through the artwork PAN & ZOOM. Applied Mobilities, 2:1, 67-84. www.tandfonline.com/doi/full/10.1080/23800127.2016.1272971

Keane, J (2015). "Eight Very Vary(s): Towards a Program of Mistakes-on-Purpose" in Egert, G, Hongisto, I., Hornblow, M., Kontturi,K., Morales, M., Rose-Antoinete, R., Szymanski, A. (Eds) Radical Pedagogies, Inflexions Journal no 8: 95-109. http://www.textjournal.com.au/speciss/issue33/content.htm

Keane, J., Campbell, M., Pont, A., Hecq, D., Bolt, B., Sicluna, J. (Eds) (2015). TEXT Journal, 19:2 special issue 33, Art as Parodic Practices. http://www.textjournal.com.au/

Keane, J. (2015). To very the ground of meaning,to vary the ground of meaning. In: Donna Lee Brien (Ed) TEXTJournal vol19, No2 special issue 33, Art as Parodic Practices. http://www.textjournal.com.au/speciss/issue33/content.htm

Keane, J. (2015). Eight Very Varys: Towards a Program of Mistake-on-Purpose. In: R. Rose-Antoinette, M. Hornblow & A. Thain (Eds) Inflexions: special issue "Radical Pedagogies". http://senselab.ca/wp2/inflexions-no-8-radical-pedagogies/

Keane, J. & Glazebrook, T. (2012). Here Where It Lives ... Bioscleave. In: J. Keane & T. Glazebrook (Eds) Inflexions: Arakawa and Gins Special issue, No.6. http://www.inflexions.org/n6_intro.html

Keane, J. (2012). An Arakawa and Gins Experimental Teaching Space - Feasibility Study In: J. Keane & T. Glazebrook (Eds) Inflexions: Arakawa and Gins Special issue, No.6. http://www.inflexions.org/issues.html#i6

Drummond, R, Keane, J. & West P. (2012). Zones of Practice: Embodiment and Creative Arts Research. Media/Culture Journal. Vol. 15, No. 4. http://journal.media-culture.org.au/index.php/mcjournal/article/view/528

Keane, J. (2012). The Science of Our Own Fiction: Affective Experiments Enacted Through Creative Research. In: J. Bennett, R. Harley, D. Kahn, & P. Thomas (Eds) Studies in Material Thinking journal: Experimental Arts Issue, Vol. 8. National Institute for Experimental Arts, College of Fine Arts, University of New South Wales in association with Nancy de Freitas, School of Art and Design, AUT University, Auckland. https://www.materialthinking.org/papers/91

Keane, J. (2008). Constructing the Conditions of and Environments for Interdisciplinary Research on Perception and Action. In: Ecological Psychology journal, Vol. 20, No. 4, pp. 343-360. London & New York: Routledge-Taylor and Francis Group. https://www.tandfonline.com/doi/full/10.1080/10407410802433093

Keane, J. (2007). Situating "Situatedness" through Æffect and the Architectural body of Arakawa and Gins. In: S. Gallagher (Ed) Janus Head Journal of Interdisciplinary Studies in Continental Philosophy, Vol. 9, No. 2, pp. 438-457. http://www.janushead.org/9-2/Keane.pdf

Keane, J. (2003). The Multimodal Consequences of Coordinology. In: Interfaces: Architecture Against Death/Architecture Contre La Mort, double issue, Vol. 21- 22, No. 2, pp. 407-434. Paris: College of Holy Cross and Paris University 7 – Dennis Diderot. https://college.holycross.edu/interfaces/21-22vol2.htm

Keane, J. (2001). EXIT Genres and the Experience of Reading. In: Limen, journal for theory and Practice of liminal phenomena, No.1 www.limen.mi2/limen1-2001/index.html

Keane, J. (2000). Fictive Certainty Underwrites Writing. In: TEXT journal, Vol. 4, No. 2 www.griffith.edu.au/school/art/text/oct00/keane.htm

PEER-REVIEWED CONFERENCE PROCEEDINGS

Keane, J. (2017). Art and the Realisation of Living: the cognitive reuse of neural networks. Body of Knowledge: Art and Embodied Cognitive Conference proceedings. https://escholarship.org/uc/item/3bd443pp

Keane, J. (2016). PAN & ZOOM: Performing spatial knots and panoramic diagrams. In: M. Douglas (Ed) Proceedings from Performing Mobilities: Fluid States, Performance Studies International, Melbourne: RMIT. http://www.rmit.edu.au/news/all-news/2015/october/performing-mobilities-unfolds-at-rmit-gallery

Keane, J. & Ednie-Brown, P. (2015). Collapse: Clouds of Affective Dust. In P. Thomas, L. Aceti & E.Colless (Eds.). Transdisciplinary Imaging at the intersection of Art, Science and Culture. Conference Theme: The Cloud and Molecular Aesthetics. Istanbul and Sydney: NIEA and Sabanci University. (in-press press with Leonardo Electonic Almanac Publication forthcoming in 2015).

Keane, J. & Ednie-Brown, P. (2015). Collapse: Clouds of Affective Dust. In: P. Thomas, L. Aceti & E. Colless (Eds) Transdisciplinary Imaging at the intersection of Art, Science and Culture. Conference Theme: The Cloud and Molecular Aesthetics. Istanbul & Sydney: NIEA and Sabanci University. (in-press Leonardo Almanac Electronic Publications).

Keane, J., West, P. & Jerimijenko, V. (2013). Souvenirs of the senses: collaborative and cross-artform workshopping. In: S. Strange & K. Rozynski (Eds) Creative Manoeuvres: Making, Saying, Being, The Refereed Proceedings of the 18th Conference of the Australasian Association of Writing Programs. Canberra, November.

Keane, J., West, P. & Jerimijenko, V. (2013). "Goings" and "Comings"; Souvenirs of over-site for place-making. In S. Strange & K. Rozynski (Eds) Creative Manoeuvres: Making, Saying, Being, The Refereed Proceedings of the 18th Conference of the Australasian Association of Writing Programs. Canberra, November.

Keane, J., West, P., & Jerimijenko, V. (2013). Material Writing: Reverse engineering the souvenir. In S. Strange & K. Rozynski (Eds) Creative Manoeuvres: Making, Saying, Being, The Refereed Proceedings of the 18th Conference of the Australasian Association of Writing Programs. Canberra, November.

Keane, J. (2012). Enactive Research: Transversal possibilities for expanding the imaging of art and science. In: S. Baker, P. Thomas, & A. Varano (Eds) The Second International Conference on Transdisciplinary Imaging at the Intersection Between Art, Science and Culture: Interference as a Strategy for Art Conference Proceedings, (pp.180-191). Sydney: Transdisciplinary Imaging Conference.

Keane, J. (2012). The Science of Our Own Fiction: Affective Experiments Enacted Through Creative Research. In: J. Bennett, R. Harley, D. Kahn, & P. Thomas (Eds) Studies in Material Thinking journal Experimental Arts Issue. (8). National Institute for Experimental Arts, College of Fine Arts, University of New South Wales in association with Nancy de Freitas, School of Art and Design, AUT University, Auckland.

Keane, J. (2012). Wheel of Fortune: The Re-gifting of Art-Life. In: R. HIchem, M.A. Hammami, J. Cunningham, & S. Fuks (Eds) Water issues related to Environmental Landscape Sustainability. Horticulture, Landscape and Environment – Research Unit AGR05UR 2003 of ISA-IRESA- Sousse University. Imprimerie Officielle, Sousse, Tuisie (Tunsia): (pp. 141-156).

Keane, J. & Cunningham, J. (2009). Sales of Action. In: S. Spurr (Ed) Proceedings from the SEAM Symposium 2009: Spatial Phrases. September 17-20. Sydney: Critical Path Choreographic Lab, (pp. 98-110).

Keane, J. (2009). Embodied Perception is a special kind of movement. In: C. Stock (Ed) Dance Dialogues: Conversations across cultures, artforms, and practices. Proceedings from the 2008 World Dance Alliance Global Summit Conference. Online publication, Brisbane: QUT Creative Industries and Aus Dance.

Keane, J. (2006). Practice-as-Research and the 'Realisation of Living'. In: R. Vella (Ed) Speculation and Innovation: Applying practice led research in the Creative Industries. RealTime Arts.

Keane, J. (2005). Landing Sites' of Cosmopolitanism: Arakawa and Gins' Architectural Practice of Person. In: D. Ellison & I. Woodward (Eds) Sites of Cosmopolitanism: Citizenship, Aesthetics and Culture. Brisbane: Centre for Public Cultures and Ideas, Griffith University. https://pdfs.semanticscholar.org/6b46/22b578f9ef9510cc62cd76aeb07534ff19df.pdf


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